At the extreme point of the curve in my side is a thorn.
If I’m wearing my skin, you can’t see it;
it’s innocuous enough, then.
But as soon as I start shedding layers of me,
peeling white silk then red leather away,
you can see it – there.
When I breathe, my abdomen swells around it,
throbbing;
When I move, my muscles clench around it,
tensing.
Here, I am undressed: all that’s left is bone and heart.
Here, laced between the capillaries: the thorn,
in all its curving, black, fang-like deadly elegance.
The nose of a Bentley, the shine of a stiletto heel.
Arched tenuously like an offhand remark,
then sweeping down to a point like an unwavering gaze
or a loaded gun.
I am laid bare, unskinned, unmuscled, unvitalled:
the air rushes by – if I could move, I would wince,
would shudder, would curl to hide myself,
shrivelling and cold, from the elements.
But there is only blood and bone,
and thorn.